Waves is a popular plugin company, so all their plugins are great, but you may be wondering what the best Waves plugins are. There are over 200 Waves plugins and a lot of them are essential in creating a solid mix. Keep reading to find out what the top 25 must-have Waves plugins are that are available in 2020.

Here are the best Waves plugins:

Even if you maintain a single VST folder, all the freebies that work off of just drag and drop the.dll will transfer fine, but everything commercial will likely have to be reinstalled. Imo it's good practice to maintain a single folder for as much VST related stuff as possible. SSL Native plug-ins provide the precision, advanced feature set and legendary tonal characteristics of SSL audio products in affordable plug-in form. The latest Native V6.5 release from Solid State Logic introduces the new ‘X-EQ 2’ plug-in and provides all users authorisation of SSL Native licenses onto a computer instead of a physical iLok. In order to hear the VST plugin (or any other audio played on your computer) through your keyboard’s built-in speakers, you’ll need to route the audio signal back to your keyboard. Remember that USB type B (aka USB to Host, USB type B) port found on most modern keyboards can transfer MIDI data, but not audio. VST plug-ins are instruments and effects from third party manufacturers which can be installed and used in Live. VST2 plug-ins use the.dll file extension. VST3 plug-ins use the.vst3 file extension. How to install and activate VST plug-ins on Windows. Download the latest installer file from the plug-in manufacturer's website and run it. Repeat steps 3 - 8 to authorize any additional plugins. Deactivating a License and Transferring to Another Computer. Deactivating a license can come in handy if you need to authorize the software on a new computer and need to free up an authorization. Each license key allows you to install the plug-in on two computers with unique system IDs or on one computer and an iLok dongle. If using a computer based activation, the same license can be used by multiple users, but each user has to individually unlock the full version of the plug-in under her/his account.

1. Scheps Omni Channel

A one-stop channel strip

The Scheps Omni Channel, designed by the award-winning mix engineer Andrew Scheps, is a top-rated, extremely flexible channel strip unlike ones you have used before. It was made to work with Andrew’s combinations of EQ, compression, saturation, and more to create a great sounding signal chain without having to pull up a bunch of different plugins.

Oftentimes channel strips are based on vintage mixers, but that can mean that you are limited to having all your songs being connected to a certain sonic color. Modular channel strips do not limit you to a certain coloration, but they oftentimes do not mesh together in a cohesive way. This is not the case with Scheps Omni Channel. Andrew Scheps took the best of vintage channel strips and the best of modular strips, certain combinations, and turned them into one channel strip, the Scheps Omni Channel.

Scheps Omni Channel has six modules: Pre, Compression, EQ, DS2, Gate, and a slot for a Waves plugin of your choice. With the Pre module, you can add in analog saturation to color your signal as well as filters. The Compression module allows you to compress and expand your signal, and the EQ module has a 4 band EQ to sculpt your sound. DS2 is a de-esser that takes care of plosives as well as harsh frequencies, and the Gate module allows you to expand and gate the signal but also adjust the amount of noise reduction happening. Waves also provides some presets for the plugin if you need to focus on one module more than the others.

The Scheps Omni Channel really is a great channel strip plugin. Compared to other channel strips, this one makes audio sound extremely cohesive and it does not seem like anything sticks out in a way that’s sonically unpleasant.

I have used it on vocals, guitar, and even some drums, and it sounds amazing. The coloration options are very handy for adding some different character to audio depending on the genre you are making. Everything is easy to use and the interface is very straightforward. You are missing out if you have not used this VST before; it is a definite must-have Waves plugin.

2. Vocal Rider

Taking automation out of the production process

If you are like me and you absolutely hate automating vocal levels, you need Vocal Rider. It is one of the most popular plugins from Waves, and understandably so. Vocal Rider does exactly like the name sounds: it rides the volume level of the vocals to keep it even. And it does all this without coloring the signal.

If you were to try to even it out with compression, for example, you’d get some coloration and quite possibly a heavily squashed signal. That’s not something you want, but automation isn’t exactly fun either. Vocal Rider takes out the guesswork and does it all for you.

The layout of Vocal Rider is simple. There are three sliders. One is the actual vocal rider slider, one is the output level, and the other is the range slider. The range slider is what you use to set the average level that your vocals need to be at in relation to the rest of the mix. Once you have set that, if you need to boost the output volume, you do that with the output slider. In the meantime, the rider slider detects the levels of your incoming audio and instantly changes the volume to match the volume that’s within your selected range.

Vocal Rider also works extremely well for live vocals, so if you do live mixing you can easily add it to your workflow. If I were to pinpoint a certain genre that this plugin would be best for, I’d say it is the best Waves plugin for rap vocals due to the frequent need of automation on rap vocals.

Vocal Rider saves so much time and keeps you from getting frustrated with changing automation and sitting in front of the computer for hours trying to get it right. Forget about manually automating your vocals and just get Vocal Rider from Waves.

3. Scheps 73

A classic preamp and EQ combo

Another great plugin designed by the world-renowned Andrew Scheps, the Waves Scheps 73 is a 3-band EQ and mic preamp module modeled on the classic 1073 console. The Scheps 73’s EQ is so closely modeled after the 1073 that it emulates its behavior with lots of precision.

The specs of the EQ include a fixed 12 kHz high frequency band, switchable low and midrange bands with cut and boost controls for each, and a high-pass filter with a ratio of 18 dB per octave. A 10 kHz midrange band is also made to be operable in the plugin, although it was made to be operated on the 1078 channel strip. Saturation (controlled by the drive knob) is modeled after the 1073’s saturation and captures all of the harmonic details and sonic characteristics of the 1073. It sounds extremely authentic and warm.

Other features include the ability to monitor the stereo channel, mono channel, and left and right channels separately. You can also EQ the mid and side channels with this plugin. If you do like coloration and want a very warm, rich, full sounding vocal or instrument, use the Scheps 73 and you will be beyond satisfied.

4. Abbey Road TG Mastering Chain

Achieve the Abbey Road sound with ease

Abbey Road TG is a modular mastering chain plugin modeled after the EMI TG12410 transfer console used in all of Abbey Road’s mastering suites. The TG Mastering Chain is made out of modules (or cassettes) just like the original console. Included is: an input module, tone (EQ) module, compressor and limiter module, filter module, and a VAL module incorporated into the output module.

Except for the input and output modules, they can be swapped around to create custom mastering chains and switched on and off. They can also be used individually or mixed and matched if you do not want to use all of them together.

The compressor and limiter module offers two colorations, original and modern. Original is an aggressive and ‘dirty’ type of compression and modern is one that was designed by Waves to help you retain the highest quality of audio while keeping the loudness.

The TG Mastering Chain has proven to be a flexible plugin while retaining the classic Abbey Road sound found on many popular albums or giving it a bit of a new flavor with the more modern sounding compressor option. The flexibility continues even more, as you can process signals in stereo, duo, or mid/side, and monitor the signal in stereo, mono, left, right, and mid/side if you need to. There is also a live performance mode, so if you want to do live mastering as everything is coming through the system, you can do that with ease and not have to worry about latency.

If you have found that mastering with plugins from companies like iZotope or UAD just do not match the final sound you are trying to achieve, take the best Waves plugin for mastering, the TG Mastering Chain, for a spin.

5. SSL E-Channel

A slice of the world’s greatest hit making machine

The SSL E-Channel is another amazing-sounding channel strip modeled after the Solid State Logic 4000 series console. The sections included in this plugin are equalization and dynamics. On the equalization side of the plugin, it is based on the renowned Black Knob equalizer that was developed with the legendary producer George Martin in the 80s. The equalization section features a high-pass filter, a low-pass filter, and a parametric EQ with four bands.

The dynamics section gives you a compressor and limiter with a soft knee, and an expander and gate that was modeled after the Solid State Logic LS611E. Staying true to the original design, the compressor/limiter and expander/gate can be placed before or after the equalization section to make your signal chain flow just how you want it.

The SSL E-Channel also has a button for turning the analog sound on and off, so depending on how you want your sound to come out, you can use that button to get the classic SSL sound or bypass it for a more modern sound.

The SSL E-Channel is especially good for drums and makes them hit really hard, so I suggest you use it primarily for your percussive elements, but it is a great plugin for really any element of a song.

6. F6 Floating-Band Dynamic EQ

EQ and compression with surgical precision

The F6 Floating-Band Dynamic EQ is one of the best dynamic EQs Waves has to offer, in my opinion. With the F6 Dynamic EQ, you get a dynamic EQ with 6 floating bands for parametric EQing, plenty of advanced EQ controls as well as compression and expansion controls per band.

Mid/side processing is available to help you carve out even more space in the mix, and you also get to view everything on a real-time frequency analyzer with adjustable resolution and reaction speed, pre and post EQ, note and amplitude display, and sidechain options.

The F6 is ideal for solving problems. Not only can it be used for equalization and compression, but it can also be used for de-essing. The F6 Dynamic EQ lets you focus on problem spots and only treat them when the problems arise in those areas. F6 is extremely precise and Waves made it while keeping in mind that details matter, so the EQ’s settings are so sensitive that you can precisely specify when a certain frequency will be boosted, cut, expanded, or compressed.

More specifics on the EQ include variable EQ shapes, overlapping bands, and threshold sensitive EQ settings. The interface of the plugin is modern and simple even with so many knobs, buttons, and options. F6 is a great dynamic EQ.

7. Aphex Vintage Aural Exciter

A tone you can’t get anywhere else

The Waves Aphex Vintage Aural Exciter is an exciter plugin that was modeled on one of the few tube powered units ever made. If you are not sure what an exciter does, it is basically a saturation plugin but instead of adding low end distortion, it adds it in the high end.

The original Aphex Aural Exciter has an extremely distinct sound and so does the Waves Aphex Vintage Exciter. The exciter adds brightness, presence, vibrance, and depth without increasing volume. It slightly colors the audio signal with those high-frequency harmonics, which makes it perfect for vocals as well as instruments.

In the interface, you will see several knobs. One is for the excitement mode, one is for picking what signal the meter reads and delivers, another is for input volume, one is for the wet/dry mix, another is for the output volume, and there’s also a section for applying a low cut and adding some analog noise to the signal. This exciter plugin is great to use while mixing or even in the mastering process, and it provides an awesome tone that is hard to replicate with other plugins. Check it out.

8. Reel ADT

Abbey Road style double tracking and lush delay

The Waves/Abbey Road Reel ADT is a plugin that emulates Abbey Road Studios’ process of Artificial Double Tracking. The double tracking effect became an essential sound that Abbey Road Studios used when mixing for The Beatles. Reel ADT gets you a lush-sounding delay and variations in pitch as well as tape saturation.

Reel ADT sounds super authentic to a real tape machine with all the fluttering and other tape noises, and it really does sound like there are multiple takes playing as if it really was double tracked.

This plugin does more than double track emulation though – it can do other tape effects like flanging and phasing. You can choose between different tape sounds depending on the source you use, and there’s a drive control and a pan control for each source path so you can make it as wide as you want it or leave it more narrow sounding to get almost a simulated room reverb sound.

Everything is MIDI-assignable, so you can control it with a MIDI controller, but you can also control it manually or set it to process audio automatically. Reel ADT can also be used in live shows since it has extremely low latency.

If you want a double tracked sound but do not have time to manually double track your audio, or if you want a special-sounding delay effect and other delay plugins do not seem to cut it, Reel ADT is a plugin worth trying. It is a huge time saver and you can get some really cool, unforgettable panoramic sounds and a ton of character out of it.

9. J37 Tape

An Abbey Road tape saturation masterpiece

Another essential Waves plugin that sounds fantastic is the J37 Tape. It is a tape saturation plugin modeled after the tape machine at Abbey Road Studios that was used to record so many modern hits as well as popular tracks from the 60s.

This thing is packed with controls to sculpt the sound of the tape. Tape speed, bias, noise, saturation, wow and flutter are all adjustable controls. While the J37 has its own character and flavor, three other oxide tape formulas have been modeled and can be used instead of the J37’s sound. Each formula has a unique frequency response and harmonic distortion.

Adding onto all of this, the J37 Tape plugin also has a built-in tape delay module with different delay types, sync, and low-pass and high-pass filters to add to the warm tones you get from the saturation. The plugin is extremely warm and models the analog software to a T.

I have never heard such a realistic sounding plugin and that makes the J37 Tape one of my favorite Waves plugins for sure. Try it out, it might become yours too!

10. Vitamin Sonic Enhancer

Add some extra oomph to your music

Waves Vitamin Sonic Enhancer is essentially a compressor, EQ, and saturator all in one. If we’re going to get technical, it is a multi-band harmonic enhancer that can be used to shape the tone of your songs by mixing an enhanced version with the original signal. If you do not want to mess around with tone shaping plugins like EQ, compression, and saturation to get the tone you want, you should try Vitamin.

Vitamin has no latency, so if you are a mix engineer in the studio or a mix engineer for a live show, you will be able to use the plugin with no problem. Ideally you should use Vitamin Sonic Enhancer on a track insert or a bus. Instantly you can get a warm result that also brightens your output audio without having to mess with a bunch of different plugins.

Vitamin Sonic Enhancer certainly does not take the place of EQs, compressors, and saturators, but it is a really handy plugin if you want to save time or if you cannot achieve a certain goal for tone when you have used EQs, compressors, and other plugins. With a few pushes of a slider you can get more punchiness, smoother dynamics, enhance harmonics, and make the stereo field wider.

You can use Vitamin in mono or stereo mode when using the EQ sliders in the plugin, and when you have it in stereo mode you can change the width of each of the individual five bands to make room for more in the mix. Vitamin is great on vocals, guitars, synths, drums, and also is great if used when mastering a full song.

Vitamin Sonic Enhancer is easily an essential Waves plugin and I strongly suggest you check it out if you want to save time, resources, and add a little extra oomph to your music.

11. Abbey Road Chambers

Huge, beautiful reverbs at your fingertips

The Abbey Road Chambers plugin is the fastest way to get absolutely beautiful-sounding reverbs in the style of Abbey Road Studio’s echo chamber, featuring the STEED (send tape echo echo delay) technique.

The plugin recreates the same sonic characters from their echo chamber to create reverbs, delays, and other spatial effects they used on so many records. Abbey Road Chambers helps you achieve the echos from Abbey Road’s Studio Two chamber and even models the crisp, clear recording abilities due to their use of the Neumann KM 53 microphones and Altec 605 speaker. To sculpt the reverbs and delays even further, included is a high and low-pass filter from EMI as well as an EMI presence EQ.

As I mentioned, Abbey Road Chambers includes a recreation of their STEED setup. STEED was a system that split the signal and created a feedback loop that would go through their mixing console, through a tape delay, through two EQ filters, and to the chamber and back. It gives you a gorgeous-sounding reverb like nothing you have heard before and it is something you have got to listen to in order to understand just how much it stretches the chambers’ sonic qualities.

Abbey Road Chambers also includes two other spaces as a bonus: their Mirror Room and the Stone Room from Olympic Studios in London. This gives you so much more creative freedom.

Using Abbey Road Chambers is easy, you can send your tracks to the chamber, mirror room, or stone room, isolate the STEED setup effect, or combine both. The plugin opens up a whole world of hybrid reverbs, delays, and more. ARC is an amazing plugin that would be best used if you make atmospheric music or have a lot of lush, experimental sounds that need to be pushed through a wide open stereo field.

12. Abbey Road Reverb Plates

Legendary plate reverbs

Easily the best Waves reverb plugin is Abbey Road Reverb Plates. Waves modeled four legendary plates from Abbey Road Studios – ones that were even used by the Beatles and Pink Floyd.

A little behind their reverb setup: the plate reverbs were originally set up to complement their echo chambers. Drive amps were specially designed to keep noise to a minimum for three of the plates, while the last one was fully valve powered. This allowed for a huge variation of sonic qualities and characteristics in the reverbs. Waves has modeled that in a plugin and now you get to use and enjoy the modeled harmonic distortion and even the behaviors of the plates.

The plugin allows you to set input volume, select a plate (plates A through D), set the damper level, and typical reverb controls you’d find on any reverb plugin, like pre-delay and the dry/wet mix. An analog knob as well as a drive knob is available to use and there’s also an EQ section included to take care of harsh frequencies or muddiness. These reverbs sound so good, and you can get a ton of different tones out of them, whether you want something lush, dark, bright, or rich.

13. Tune Real-Time

Smooth, latency-free live vocal tuning

It cannot be denied that auto tune is used in pretty much every song these days. Even if it is not noticeable, it is likely that at least a little bit was used on the vocals of a recent song. Waves Tune Real-Time is a plugin that ensures that the vocalist is on key, so they do not have to worry and instead they can focus on giving a great performance.

If you are familiar with Antares Autotune, Waves Tune Real-Time is pretty much the same thing. Waves Tune Real-Time was made for live performances, but can be used during pre-production, tracking, and mixing. Since it was made for live performances especially, it has no latency and out of tune notes are instantly corrected as soon as they leave the singer’s mouth.

The algorithms used in Waves Tune Real-Time ensure that the vocalist’s vocal sound won’t be changed at all, unlike other autotune plugins (Antares, for example) that add extra brightness to the vocal signal. Waves Tune Real-Time is ideal for subtle vocal pitch correction (or the hard-tuned T-Pain effect) and gives you vocals that are ready to go in literally no time.

The plugin’s design is very intuitive and easy to navigate. You can control the vocal range, scale, specific notes to fix or avoid, the sensitivity of the plugin, and you can even tune the vibrato without messing up its natural movement, which is something that not many plugins do right.

Waves Tune Real-Time is also MIDI compatible, so you can make the plugin follow a melody set in advance or in real time if you do not know the scale or key of the song. Waves Tune Real-Time is easily one of the most ideal and intuitive vocal tuning plugins out there.

14. Tune

Transferring Vst Plugins App

Manual pitch correction made easy

If you want the power of Waves Tune Real-Time but do not want a live program to retune the vocals and would prefer to do it yourself in your DAW, Waves Tune is the plugin you need.

If you are familiar with Melodyne by Celemony, Waves Tune is pretty similar to that. Waves Tune is set up to give you precise vocal retuning with ease. The plugin has a ton of pitch shaping and pitch transforming tools, a timeline, a piano roll to further ensure you are matching the vocals to the correct notes, and an intuitive pitch editor.

Using Waves Tune is easy, all you have to do is apply it to a track with vocals or a monophonic instrument, and drag the notes that need tuning to the correct spot that correlates with the piano roll on the pitch editor. You can set the speed of the retuned audio, length of the note transitions, and more to get things sounding just right. Like Waves Tune Real-Time, you are able to retune vibrato without taking away the wavering qualities or changing the speed of it.

Waves Tune sounds great and does not degrade your voice or add any extra tones or formants to your processed vocals. Get Waves Tune if you prefer to process and retune vocals after they’ve been recorded. If you do not have a preference, just get Waves Tune Real Time.

15. SSL G-Master Buss Compressor

The absolute best analog Waves compressor

The SSL G-Master Buss Compressor plugin is based on the world-renowned master buss compressor on the Solid State Logic 4000 G console. Waves has captured the sound of the console’s input and twin VCA gain reduction amp design.

The SSL G-Master Buss Compressor plugin is ideal for gluing tracks together, so it will especially shine in a mastering chain or just on the master channel in your DAW. The plugin is also awesome for adding punchiness to drums, taming dynamics of a piano, or just tightening up a final mix.

The layout is very simple: you have all your major controls that you’d find on any compressor. There’s a threshold knob, an attack knob, a release knob, a ratio knob, and a make up gain knob. You can also turn off the analog sound if you choose to do so. Additionally, the plugin comes with presets by the famous engineer Chris Lord-Alge, so if you need some inspiration or a head start, you can use those.

While it is not an ideal compressor for every single instrument and there are other popular compressors out there that are made by Waves, the SSL G-Master Buss Compressor is easily the best Waves compressor in my opinion. It sounds so much like the real thing, and it does not add any type of harsh coloring in the lower or upper frequencies or give it any muddiness or negative characteristics.

It does what it is supposed to: glues together tracks. I use it on every one of my songs in the master channel, and honestly, you should too. Sadly, there are no free Waves plugins, but I wish this one was free, so that everyone could get a taste of it.

16. H-Reverb Hybrid Reverb

Deep reverb tails with crisp air

H-Reverb is a newer hybrid reverb plugin powered by Finite Impulse Response technology, or FIR. FIR gives extremely rich reverbs, gives more air to your tracks, and helps your instruments and vocals to sit perfectly in the mix.

New technologies open new creative horizons. The FIR technology allows you to customize the decay envelope of the reverb beyond linear forms, which means that you will get gated, real reverse, and dense reverb that does not add muddiness to your mix. With H-Reverb, you also get a drive control that gives the signal a bit more analog saturation.

On top of that, you get a ton of presets created by the music industry’s best mix engineers and presets inspired by classic reverb units, so if you need a starting point, you will have some strong ones.

The interface of H-Reverb is one of the more detailed reverb GUIs I have seen. Aside from the typical reverb controls (attack and release, pre-delay, size, wet and dry signal), there are modules for the decay envelope, LFO, input echoes, output echoes, modulation, and EQ and dynamics.

This type of technology and flexibility in a reverb plugin is something unheard of until now. By putting together classic reverb concepts with modern features and controls, H-Reverb has become one of the ultimate modern reverb plugins from Waves.

17. C6 Multiband Compressor

Flexible multiband compression

Similar to the C4 Multiband Compressor from Waves, the C6 is an even better model of the well-loved C4 with a few more exciting features. The C6 is a popular favorite among mix engineers and is not a plugin to pass up.

The C6 Multiband Compressor is great for expanding, compressing, limiting, and fixing problems that span through a whole frequency band, but can also be awesome for de-essing, controlling plosives, and fixing problem frequencies with surgical precision.

The C6 has six bands, four normal crossover bands and two floating bands for high and low shelving and cutting. Something that’s not in the C4 that is in the C6 is a sidechain feature. With all that it can do, the C6 is a complete powerhouse and that makes it one of the best Waves plugins for vocals, but it is also fantastic on instruments too.

The C6 has a dynamic EQ and the sidechain feature is specific to each band, so if you only want to control a certain portion of frequencies (for example control the higher frequencies on the beginning of a snare drum hit and leave the low end untouched), it is very easy to do that.

I like to slap the C6 on vocals, drums, and guitars to control any harsh frequencies I find that are a nuisance to my ears. The C6 is really great at controlling and shaping sounds while fixing very specific frequency problems. If you wanted to, you could use it as an all-in-one type plugin; I wouldn’t necessarily recommend that, but it definitely could be done and it would sound great.

18. NLS Non-Linear Summer

Three legendary consoles in one plugin

The NLS Non-Linear Summer is easily one of the best Waves plugins for mixing. NLS is essentially three consoles coming together as one plugin. The consoles featured are the SSL 4000 G (the Spike), the EMI TG12345 Mk4 (the Mike), and the Neve 5116s (the Nevo).

The Non-Linear Summer consists of the NLS channels of the three consoles and the NLS busses to match. Waves modeled over 100 channels over all three consoles to fully capture the magical color, character, and behavior of each input and buss amp. NLS Non-Linear Summer has a ton of richness, depth, and a ton of harmonic qualities that make it seem like you have used the physical hardware of the consoles themselves to record and mix.

Free audio software vst. The NLS channels are set up with a drive knob and a VCA knob. You can turn the microphone on and off and also add analog noise to bring even more character to the signal. The NLS Non-Linear Summer is a sonic piece of art.

19. Grand Rhapsody Piano

A Grammy Award-winning piano in VST form

The Grand Rhapsody Piano plugin from Waves was sampled from the Fazioli F228 grand piano from Metropolis Studios in London. The Fazioli F228 is an Italian piano made with the same type of wood that Antonio Stradivari made his famous violins from. The tone wood gives the piano a deep bass, rich resonance, and a bright, clear tone that make it extremely famed.

The samples of the Fazioli F228 were recorded at Metropolis Studios with 8 different pairs of microphones (from the Neumann U 87 to the Shure SM57) and preamps and converters of the highest-quality, so you are getting the best sound reproduction possible.

The Grand Rhapsody is great for a variety of genres, from pop to electronic to jazz. The Grand Rhapsody Piano plugin allows you to blend up to 3 microphone pairs and choose the position they’re in. You can control how much of the pedal and resonance are mixed into the overall sound of the piano, and you can incorporate Waves’ high-quality EQs, compressors, limiters, delays, and reverb with the signal, so you do not have to have a dry piano sound.

The plugin can be used in your DAW or standalone, and is MIDI compatible. Although I have not used this piano plugin much myself, it is one that deserves a lot more attention than it gets. It is incredibly warm and rich and just sounds absolutely beautiful. Make sure you check out our picks for the best piano VST plugins in 2020.

20. CLA-76 Compressor / Limiter

Punchy compression with snappy attack

The CLA-76 is another best-selling compressor bundle that also has a limiter feature. The CLA-76 was inspired by two famous analog compressors, the UREI/Universal Audio 1176 Blue Stripe and 1176 Blackface, called Bluey and Blacky by Waves.

As per usual, on both models of the compressor, you get your typical attack and release knobs, and your input and output controls. A ratio control is also included, but there is a button labeled ‘all’ that models the original compressor’s explosive ratio mode that made it famous in the first place for its insanely powerful drum sounds.

Because of this, the obvious go-to instruments for this plugin to be used with are drums and percussive instruments, but the CLA-76 is also great for vocals and guitar. It smooths out vocals and brings them forward in the mix with ease, and solves tons of dynamics problems that oftentimes aren’t solved with other compressors.

Using this compressor is an absolute dream, and the different models carry a slightly different sonic character, so you will find that there is some pleasing coloration when using them. With the capability of having a super-fast attack and smooth release, as well as rich preamp distortion modeling, the CLA-76 is a prized plugin that every producer should have in their arsenal.

21. Kramer Master Tape

Rich reel-to-reel tape saturation

Kramer Master Tape is a plugin modeled on a reel-to-reel tape machine, designed with help from Eddie Kramer. Kramer Master Tape gives your songs a richness and warmth through real analog tape saturation and breathes new life into what was previously boring and static.

The plugin looks like a real tape deck and is set up with knobs that control tape speed, record level, playback level, flux, wow/flutter, and noise. The Kramer Master Tape is ideal for rock, dance, and many other genres and comes with built-in slap and feedback delay to help facilitate that.

Whether you are using it for recording, mixing, or mastering the Kramer Master Tape plugin sounds great no matter the application. I like to use it with vocals and piano to give them a slightly wobbly effect and add the perfect amount of saturation to keep them sounding rich and full if the mix is busy and they get lost in it.

Tape saturation is a plugin that is starting to become more popular, and if you like the vintage sound it adds and the full, warm quality it brings to recordings, get Kramer Master Tape and see how it holds up against modern tape saturation. Kramer Master Tape does not disappoint.

22. CLA-2A Compressor / Limiter

Transferring Vst Plugins Software

Smooth, subtle compression

The CLA-2A is a compressor that was modeled on a legendary tube compressor. As far as I know, this is the only compression plugin by Waves that has this quality to it. The CLA-2A accurately reproduces the smooth, frequency dependent behaviors that the tube compressor also had, which make it a popular choice for mixing vocals, guitar, and bass.

While the plugin is extremely nice-sounding when used on guitar and bass, it really shines on vocals, especially on slow songs. Because of its smooth approach to signal processing, vocals sound buttery and rich while being subtly controlled by the compression. The plugin is a great choice when recording R&B or jazz but also can hold its own with pop and rock songs that need just a little compression.

In comparison to other compressors, the CLA-2A does not color the signal, which is something that is a benefit if you are already using a channel strip that adds color or saturation to the signal.

The interface is ridiculously easy to navigate through, as it has only two knobs: one for gain and another for peak reduction. There is also a sidechain frequency filter in the limiter side of this compressor, which has the same gain and peak reduction controls as the compressor side does. This brilliant plugin comes with a bunch of presets to get you started on your CLA-2A journey, one that you will greatly enjoy.

23. EMI TG12345 Channel Strip

The classic Abbey Road channel strip

Waves and Abbey Road Studios have come together to model the famous console, the EMI TG12345, in plugin form. This legendary console was used on records from the Beatles and Pink Floyd.

The channel strip includes some of the most important elements of the console, including the preamp, the EQ module (that consists of a bass band, a treble EQ band, and a presence EQ band), a spreader to widen the stereo signal, and the crisp sounding compressor/limiter combo.

Along with the preamp and tone controls, the plugin offers routing options rather than allowing you to move the modules around to where you need them in the signal chain. Modern features have been added to some of the modules to allow for more modern mixing techniques including a high pass filter on the compressor sidechain, and a drive control. There is little to no latency on the channel strip, so you can easily use it for live performances as well as studio use without timing problems occurring.

The EMI TG12345 gives your songs a crisp, bright, and rich sound just like the original console no matter what it is being used for, and the unforgettable tone delivered by Abbey Road Studios is sure to turn heads.

24. NS1 Noise Suppressor

Noise suppression and gating

If you are forced to record in areas where there’s a lot of background noise or if you often get bleed from your headphones while recording, the Waves NS1 Noise Suppressor is a plugin you should have in your arsenal.

The NS1 Noise Suppressor is a wickedly intuitive plugin that intelligently differentiates between noise, dialog, and musical qualities. NS1 analyzes your input audio signal and eliminates background noise while bringing dialog, singing, or an instrument forward in the signal.

The interface is super easy to navigate as it only has one slider to remove noise. While NS1 Noise Suppressor isn’t a fix-all for your background noise problems, it does extremely well at managing it. Unfortunately it won’t get rid of any electromagnetic field feedback or humming that’s coming through your microphone and into the plugin since it would be up front with your voice, but it does a great job at background noise, which is what it is supposed to take care of.

NS1 Noise Suppressor does not work like a noise gate, although if your background noise is loud enough and your slider is down quite a ways, you will get a gate-like effect, which will likely mess up your main audio signal.

Make sure to remember that if you do a lot of noise suppression, since it reduces the signal and tries to filter out the frequencies of the background noise, you’ll want to put an EQ and possibly even a compressor after NS1 in your signal chain to make up for any lost harmonics

If your signal isn’t super heavily-laden with noise, NS1 Noise Suppressor should react smoothly and solve your noise problem in no time without taking away much of the sonic character. The plugin has a more analog sound so it may slightly color the signal going into it, although it shouldn’t be much. NS1 is great for many uses, whether you are doing a quick noise suppression fix or taking your time with it and using it delicately.

25. PRS SuperModels

Paul Reed Smith guitar amps

If you play guitar, you have almost definitely heard of Paul Reed Smith. In the day and age where amp and cabinet modeling is becoming more and more popular, Waves was right on trend and created a plugin to satisfy guitarists into digital amp and cab modeling for their guitars.

PRS SuperModels is a plugin that models three Paul Reed Smith guitar amps: the PRS Archon, the PRS Dallas, and the PRS Blue Sierra/V9. With PRS SuperModels, you get outstanding tones right out of the box, and the amp models are insanely accurate to the real hardware amps.

Waves modeled every piece of circuitry and every tube to get every last detail of the sound right. The Paul Reed Smith Archon amp is ideal for bright, lush cleans or overdrive. If you really push the limits of the amp, you get a great sounding distortion out of it. The gain on it is incredibly lush, which makes the Archon perfect for playing lead or a crunchy rhythm while also supplying a pristine clean channel for all genres.

The Paul Reed Smith Blue Sierra/V9 is an extremely rare amp that has now morphed into what we know as the PRS J-MOD 100 amp. The Blue Sierra/V9 is reminiscent of boutique American amps and is perfect for clean sounds and overdriven tones with not too much gain. You can get a really huge, wide sound out of this amp that sounds amazing to the ears without having to do much tweaking.

The Paul Reed Smith Dallas is modeled after an all tube design that gives out sounds from classic American amps with reverb. It is easily the most classic-sounding amp that lets you play huge cleans and plenty of overdriven tones with reverb that sounds natural no matter how far you push it. The lows are very solid and do not get too muddy, the highs are crisp, and the midrange tones of this amp are rich and full-sounding.

PRS SuperModels includes eight different speaker cabinets captured by Paul Reed Smith’s own personal mics and preamps. The plugin also has a latency fix technology that solves any latency issues between the signal coming from your guitar and the signal reaching the cabinet. The perceived volume is balanced when using multiple cabinets. You do not have to worry about clicking around in the plugin and instead you can just play, either in your DAW or in standalone mode.

Since this is a plugin, there are some added features you won’t find in the hardware, including a tone booster, a sensitive digital guitar tuner, and a noise gate to keep input feedback at bay when you’re not playing and keep output feedback from occurring. With a creator like Paul Reed Smith, the PRS SuperModels plugin is sure to suit your playing for any genre and sound amazing the whole time.

Conclusion

Even though the best Waves plugins debate is subjective based on things like your needs and the genre of music you are making or producing, we all know one thing: that Waves VSTs are easily some of the absolute best. I strongly recommend that you go to the Waves website and take a look at what they have to offer there. They may be a bit expensive but they have sales a lot of the time, and really none of their plugins are worth passing up. Stay tuned for more Waves plugin reviews in the future!

Jordan is a music producer, content creator, writer, and session musician. He has been producing music and engineering live performances for over 7 years. He is an experienced guitarist and enjoys listening to and playing many different genres of music.

Let’s get your grooves on point with the best sequencer software plugins for music production.

We’ve honed down a giant collection of sequencers, and now present to you 10 of which we’re certain will make you happy.

Quick answer: Sugar Bytes Thesys is top choice here, followed by Consequenceby the same plugin makers.

The cheapest ones are Inertiaand Array, both by Sinevibes.

The rest of this plugin guide will look at these plugins with a little more detail, so you know what you’re getting into before you get your next plugin.

Let’s take a closer look 🙂

Best Sequencer VST Plugins

Find more great gear here:

Sequencer Plug-In Buying Guide

What is a Sequencer?

A sequencer is a tool that allows you to process sound via a series of steps or sequences. You can use this to make beats, grooves, melodic patterns, or shutter and sputter effects.

Similar in concept to how MIDI and audio sequencers trigger events along a musical bar or measure in your DAW piano roll, sequencer effects plug-ins introduce different values at every step. This is where they become very useful, as they result in continually–and sometimes radically–evolving rhythmic phrases.

With these particular sequencer plug-ins, effects such as filters, distortion units, and gate circuits are modulated on a step-by-step basis. This makes it possible to transform even the most static audio tracks into extremely gated and stuttering rhythmic patterns.

You can read more about how they work from this Wikipedia article on audio sequencers.

Features to Look for in a Sequencer Plug-in?

Control is key when talking about sequencer plug-ins…

… and you definitely want plenty of control over as many different parameters as possible.

Some of the best tools can modulate effects and parameters to a very precise degree, letting you generate everything from subtly evolving washes of sound to massively glitched-out rhythms.

Choosing the Best Sequencer Plug-in

When choosing a sequencer plug-in, you definitely want one that shapes your audio in ways that are subjectively pleasing to your ear, or at least is going to give you the result you want.

Not all glitch effects are usable in the context of a mix, even though they may sound pretty impressive when soloed.

In general, you want a sequencer plug-in that lets you get as extreme–or as subtle–as you want depending on the task at hand.

Best Sequencer Software Plug-Ins

Looking for hardware sequencers? Read this article.

Sugar Bytes Thesys

See price @ Plugin Boutique

Sugar Bytes Thesys is an impressive 32-step sequencer. It has a number of essential music-creation and sound-mangling features.

It’s ideally suited to real-time pattern manipulation, so it has a useful randomization feature and a built-in synthesizer that lets you generate fresh new ideas on the spot, or bring new life to tired old grooves.

Specs and useful features

• Powerful and versatile 32-step sequencer
• Pitch recorder
• MIDI control over pattern selection and triggering
• Pattern sequencer facilitates creation of longer passages
• Real-time pattern manipulation
• Internal synth engine
• Randomizer feature
• Independent loop lengths for all sequencers
• 18 sequencer lanes

User impressions

Users expecting to make use of Thesys’ arp functions were more than a little surprised at how much more capable it was than they thought. Although the plug-in is frequently used in studio settings, some users reported using it to great effect during live performances.

Admittedly, some prep work is necessary in order to make full use of its capabilities in live settings. With a bit of preplanning however, Thesys can definitely enhance even the most mundane instrument parts.

Bottom-line

For the price, Sugar Bytes Thesys packs an almost unbelievable amount of value. Even if it were priced a couple of hundred dollars more, it would still be worth the cost given all the features and functionalities that you get in return. And with the ability to mutate your tracks beyond recognition, this is a sound tweaker’s dream come true.

Demonstration

Sinevibes Array

See price @ Plugin Boutique

Sinevibes Array is billed as a “spectral animation” plug-in, a description that provides a mere hint of potentially awesome capabilities.

Audio is treated in eight different bands, each of which can be filtered and/or muted in a most impressive manner. Whether you want a quick way to freak your loops or you want more detailed control over how your audio is chopped up and glitched, Array is a worthy addition to the collection of sound-shaping plug-ins.

Specs and useful features

• 32-step sequencer
• Variable duration, division and swing ratio
• Eight -24 dB/octave filters
• Output gate sequence for each filter
• Parameter snapshots for real-time switching and automation
• Syncs to host with tempo and time signature support
• Multi-touch gesture and force touch device support

User impressions

Many users of Array appreciate being able to take their music to pretty complex extremes via the apparently modest set of controls. Many also appreciate the tight and efficient workflow that the plug-in encourages, citing its ease of use in creating even the wildest sequences.

Bottom-line

Sinevibes Array would be a pretty good deal even if it cost a few hundred dollars more than it does. As it is, the price is almost too good to believe considering all the features that you get in return. Equally capable of subtle modulations and extreme glitching, it is the perfect antidote to bland and boring musical parts.

Demonstration

Sinevibes Inertia

See price @ Plugin Boutique

“Advanced audio level shaping” is the claim to fame of Sinevibes Inertia, and it certainly does that job admirably. Up to 32 envelope generators can be triggered in time with your host’s tempo, each with its own set of envelope shapes. If rhythmic tremolo and intricate gating and stuttering effects are your thing, Inertia definitely delivers the goods.

Specs and useful features

• 32-step sequencer
• Variable duration, division, and swing ratio
• Multi-envelope generator
• 11 envelope types
• Parameter snapshots for real-time switching and automation
• Syncs to host with tempo and time signature support
• Multi-touch gesture and force touch device support

User impressions

Sinevibes Inertia has won praise for its wide range of modulation capabilities, which make everything from rhythmic tremolo to hard gating possible. Many users feel that the plug-in’s simplicity is especially impressive given the wide range of features available. This is due in part to the color-coding and subtle animations that make it easy to see exactly what the plug-in is doing to the audio.

Bottom-line

Inertia is quite an impressive sequencer plug-in that does so much more than you would initially expect. Rhythmic tremolo seems to be its main area of specialization, although it can easily switch character and crank out a plethora of chopped and stuttered riffs. The plug-in is further enhanced by the live audio waveform and real-time visual feedback that lets you know how your audio is being sliced and diced.

Sugar Bytes Consequence

See price @ Plugin Boutique

To refer to Sugar Bytes Consequence simply as an arpeggiator would be selling it short. Although it does a bang-up job of performing standard arpeggiator duties, you’ll find that it’s capable of more sound-shaping and mangling tasks that what you expect.

The chord sequencer is especially noteworthy as it’s largely responsible for generating the broad pallet of sounds possible with the plug-in. Sound designers will especially appreciate the depth of the modulation section, which provides powerful pattern-based control over the synth engine, as well as the filter and effects.

Specs and useful features

• 32-step sequencer
• Three oscillators
• Easy creation of complex sounds and rhythms
• Hundreds of sound samples
• Versatile multi-effect section
• Individual envelopes per instrument
• Onboard kick drum
• Polyphonic triggers per step

User impressions

Some of the features that user love about the Sugar Bytes Consequence are the step sequencer that can be set to as long as 32 steps, the control over sequence duration, timing, and swing, and the snapshots that allow for quick recall and creative ‘scene switching’. The availability of nineteen effects processors also makes it a popular choice among sound designers.

Bottom-line

Sugar Bytes Consequence will find plenty of use as an inspiring and creativity-inducing production and songwriting tool. It’s pretty encouraging, taking your music to unexplored territories, it almost seems to force you into adopting a more creative and wildly-experimental approach to creating music. And for the price, that is definitely a good thing.

Demonstration

Audiomodern Playbeat

See price @ Plugin Boutique

Although it may look like an ordinary step-sequencer, Audiomodern Playbeat is in a category of its own. It’s proven itself worthy of conquering “writer’s block” many times, but it’s capable of so much more!

If you find yourself feeling uninspired, Playbeat can generate beats and patterns using complex algorithms. Once you’ve imported your samples, you can generate up to 4 patterns simultaneously. The possibilities are endless!

Specs and useful features

• Compatible with Windows, Mac & iOS (x32/x64)
• Randomize Step, Pitch & Volume (collectively or individually)
• Define the “range” of each randomization using values
• Generate up to 4 patterns simultaneously
• Parameters can be assigned to a MIDI controller
• Load/drag & drop your favourite samples
• Change the starting position of each sample
• 16 “quick-load” presets to recall your best patterns
• “Infinity mode” creates an endless stream of variations

User impressions

Starting a project from scratch can be quite daunting without a solid foundation . Most users of Audiomodern’s Playbeat report having their creative flow “jump started” by this plugin’s ability to generate meaningful sequences using their favourite samples. It’s taken their music to places they could’ve never imagined!

Bottom-line

Also referred to as a “creative groove randomizer”, Audiomodern’s Playbeat is designed to generate potent beats. Once you’ve got this solid foundation to work with, the rest of your song will basically write itself! With such an approachable user-interface, you’ll always be inspired to produce great music.

Audiomodern Riffer Generator

See price @ Plugin Boutique

Transferring Vst Plugins Download

Typical MIDI sequencers can be tedious to work with, but Audiomodern Riffer Generator is the exception. You’ll quickly find yourself neglecting your DAW’s piano roll in favor of its user-friendly interface. It’ll be like having your own personal musical assistant.

Once you’ve selected your prefered scale, Riffer can generate an endless array of melodic ideas. This is achieved by randomizing pitch, duration and velocity either collectively or individually.

Specs and useful features

• Compatible with Windows, Mac & iOS (x32/x64)
• Randomize Pitch, Duration & Velocity
• Drag and drop MIDI to your DAW
• Transfer MIDI to compatible devices using WI-FI
• Lock-in individual notes and/or parameters
• Ability to create and save custom scales
• Adjust the ratio of “root notes” based on the scale
• 16 “quick-load” presets to save your best patterns
• “Infinity mode” creates an endless stream of variations

User impressions

Users claim that Riffer Generator is especially effective at generating great basslines. Crafting memorable melodies can be quite challenging, so it’s helped many overcome that obstacle. The simple user-interface is accessible to anyone, regardless of their musical background!

Bottom-line

MIDI sequencing (or programming) is now accessible to everyone thanks to Audiomodern’s Riffer Generator. If crafting “catchy” melodies isn’t your forte, this plugin can certainly compensate for that. It’s much more than a typical MIDI sequencer, it’s a personal musical assistant.

Sinevibes Switch

See price @ Plugin Boutique

If you’ve been looking for a powerful gate sequencer, Sinevibes Switch is definitely worth checking out. Its interface is pretty minimalistic, but it’s got everything you need to create a variety of stutter-like effects (tremolo, gating, pumping, etc…).

What’s most interesting about this plugin is its ability to produce a real-time visual representation of waveforms. Manipulating Switch’s various parameters can become quite the interactive experience and with up to 32 steps to work with, there are countless possibilities for you to discover!

Specs and useful features

• Compatible with Mac OS X 10.6 or higher (x32/x64)
• Visuals are rendered using GPU, not CPU
• Up to 32 steps to work with
• Adjustable duration, division and swing ratio
• Includes factory presets
• Works with audio tracks and VST instruments
• Synchronizes with your DAW’s tempo and key signature
• 8 “snapshot” banks to recall your favourite patterns

User impressions

Sinevibes has developed a good reputation with its users throughout the years. Owners of Switch 1.0 actually got the upgrade to Switch 2.0 for free! I keep hearing great things about this plugin which is surprising considering how affordable it is.

Bottom-line

There’s nothing complicated about Sinevibes’ Switch, but it can certainly create some complex patterns. Looks can be deceiving, but rest assured that this plugin sounds as good as it looks! It’s a must-have for producers wanting to add some “flair” to their tracks.

Sinevibes Sequential

See price @ Plugin Boutique

Sinevibes Sequential is a dynamic multi-effect module that continues on where other sequencer plug-ins leave off….

And continue on it does, talk about a host of sound processing and synthesis algorithms that transform your audio into numerous rhythmic iterations. 19 specialized effects that filter, distort, gate, and shape your audio in various ways, this is an essential tool for sound designers, groove merchants and beat makers alike.

Specs and useful features

• 14 effects processors, including filter, phaser, wave transformer, sample rate and bit depth reduction, analog drive, ring modulator, and more.
• Five audio-controlled generators
• 32-step sequencer
• Variable duration, timing and swing
• Eight snapshots for switching and automation
• Randomization feature
• Syncs to host with tempo and time signature support

User impressions

Some of the more avid users of Sequential praise its ability to make a wide variety of glitch sounds out of most any audio material. They cite its value as an idea generation tool, many users have good things to say about the randomization feature, which frequently comes up with interesting and usable results. Still other users report using the plug-in to “glitch up” tracks and bring new life to tired old loops.

Bottom-line

Like all the other Sinevibes plug-ins, Sequential packs a whole lot of functionality and tasty sound-altering capabilities in an intuitive and easy to use package. From its effects section to the 32-step sequencer and useful chordmaker, it’s a good bang for the buck.

Demonstration

Sinevibes Turbulence

See price @ Plugin Boutique

Technically referred to as a “wave transformer”, Sinevibes Turbulence can transform your uninteresting sounds into unique textures. It achieves this by feeding your signal through its 32 gates, each with its own transformer, curve and modulation.

This process is comparable to that of a wavetable synthesizer, but since Turbulence is also a step-sequencer, it’s somewhat of a hybrid of the two. What makes this plugin unique is that it uses your signal as the sound source (instead of an oscillator)!

Specs and useful features

• Compatible with Mac OS X 10.6 or higher (x32/x64)
• Visuals are rendered using GPU, not CPU
• Up to 32 steps to work with
• 4 customizable transformer types
• Includes the basic waveforms (triangle, square, sawtooth)
• Includes factory presets
• Works with audio tracks and VST instruments
• Synchronizes with your DAW’s tempo and key signature
• 8 “snapshot” banks to recall your favourite patterns

User impressions

There’s somewhat of a learning curve to using Turbulence and its users have definitely mentioned it. Even with an instruction manual, they claim that the best way to start using this plugin is by experimenting! For the best results, most of them suggest starting simple using fewer steps and simpler sounds.

Bottom-line

If you’re looking for a wavetable-like experience integrated into a step-sequencer, Turbulence by Sinevibes is worth checking out. Once you’ve mastered this plugin, the possibilities are literally endless. The rhythmic soundscapes you’ll be creating will give your music the edge!

Five12 Numerology

See price @ Five12

When it comes to step sequencing, Five12 Numerology has everything you would want and perhapds more. It’s a powerful modular system that features several types of sequencing modules.

Whether you’re working with monophonic, polyphonic or percussive instruments, it’s got a module for that! It even has a sequencer that is specifically designed for harmony.

Specs and useful features

• Compatible with Mac OS X Mavericks or later
• Available as VST/AU or Standalone
• Capable of recording audio and MIDI
• Parameters can be assigned via MIDI CC
• Each module has its own channel on the mixer
• Drum sequencer that can be configured from 1-16 tracks
• Matrix sequencer that can also be used as an arpeggiator
• Advanced modules that work with CV signals
• Includes several effects (delay, filter, dynamic, EQ, reverb, etc…)

User impressions

It’s not uncommon for users of Numerology to compare it to Propellerhead’s Reason. They both have a “modular appeal” when it comes to routing things. The interface can seem a little overwhelming at first, but it’s surprisingly intuitive once you get the hang of things!

Bottom-line

If you’re serious about step-sequencing, there’s nothing more advanced than Five12’s Numerology. It’s literally a world of its own! It may seem like an intimidating piece of software, but it’s not any more difficult to use than your typical DAW.

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Final Thoughts – Which to Get?

Considering that every plug-in in this roundup is endowed with so many excellent features, it was pretty difficult to choose the one that deserves the top slot.

All things considered however, Sugar Bytes Thesys deserves special mention for the ability to shape the sound in so many weird and wonderful ways, while still remaining remarkably easy-to-use. For sheer power, flexibility, and intuitiveness, Thesys is a pretty tough act to follow.

But follow they do, and the company’s own Consequenceprovides some stiff competition to Thesys. With five sequencers pushing and prodding the audio in wonderfully freaky ways, Consequence also has a startlingly deep modulation section and a fully-stocked sound library that further add to its appeal.

The cheapest plug-ins in this lineup are Sinevibes’ Inertiaand Array, but don’t think that they are anything less than fully capable. These two are every bit as effective at cranking out unique grooves and pulsating rhythms as the best of them, and only their price sets them apart from the other costlier options.

In fact, you might add Sinevibes’ own Sequential to the mix, and have yourself a trio of highly-effective and totally inspiring sequencer plug-ins that provide excellent value for the money.